Tag Archives: #fantasy

Gold and Bones

Some time ago, I entered the first round of NYC Midnight’s Short Story Challenge. I’m very happy to say my story “Gold and Bones” was not only in the top five of the prompt category (which means I move on to Round two) but was the top pick! Each round the story gets shorter and the deadline gets tighter. While the top prize is $7,500, the real treasure is the stories we write along the way, right?

Gold and Bones

Sometimes from the lighthouse, I catch a patch of blue sky. Not today. Today the fog’s mean. A blinding glare blanketing the world in malice.

A drown woman scratches on the lighthouse window. Fish nibbled her bloated face and the fog’s tides toss her rotten nightgown. Her eyes radiate gold light and there’s another shine of a gold ring on each bone squealing against the glass.

“Hello Harriett.” I sip my coffee. “Sorry on behalf of the mainland. Oli the boat-builder and me are tryin’—”

The fog swallows Harriet Whitter and her golden glare. She never cared for me much.

Four stories down and several hours later, the door swings open as Oli returns from his first dive. I hobble over to see him. “Oli? That you?”

“Naw, it’s Christ come again. Who the hell else would it be, you goat-kneed madman?” 

Could be a ghost.

His coat smacks the floor in front of the fire. “Seen any islanders today?”

“Living or—” I stop myself before he has to. “A-yuh. Harriet Whitter.”

Oli fiddles with his wet belt. “Whitter, eh? How’d she look?”

“Uh…Dead?”

Oli puts his forehead in his hand to hide his scowl. “Murderous? At peace?”

“Well, can’t says as I know.” I only remember the hole in her cheek. “Hattie always had a murderous look.”

He can’t deny it. “Especially for you.”

“Yeah.” I laugh. “She always said I ought to have been chucked in the sea as tribute.”

Oli snorts at that, then disappears under the stairs. Maybe he agrees.

When he brings fresh coffee and chowder he mutters. “Fresh clams. Fog was too bright too see gold or bones today.”

“Thanks.” He makes the coffee too bitter, but I don’t complain. “Maybe it’s sunshine.”

“What?”

“Making it brighter. Why wouldn’t it be sunshine?”

“Why would it be?  Because we’re doin’ such a good job?” He scoffs. “You go out and dive and tell me if we’ve made a lick of difference.”

“So I will, once I finish the chowder.”

Oli scratches his eyebrow as he considers. He knows the ghosts give me hell. I wasn’t from the island. Hell, I’m barely from the mainland. If they’re particularly bloodthirsty today, he won’t let me go.

Eventually, he shrugs. “You can decide yourself.”

That’s not like him. “So, who did you see today?”

Oli’s face swirls from regret to confusion then back to hard. “Not my Izzy. If that’s that you’re getting at.”

“I’m sure I wasn’t—”

“Eat your damned chowder and go dive or don’t. It makes no difference.”

Izzy was the sort of islander to break a seagull’s wing and leave it as tribute to the sea. But she was always kind to me.

As kids, she’d help us dundibums with our homework, she’d let me sit near her. Even with my legs. Same way that Oli let me hold the planks in place while he fitted them together, even when his dad would yell at him for bringing bad luck near the boats.

They were a good match. Happy together. Both born on the island. Born to sail in the storm to shipwrecks and salvage the living, the cargo, and the dead. They’d had a good life together. Ended too soon.

At the base of the lighthouse, the black stones moan in the fog. I limp out onto the dock and the half dozen boats Oli’s built. I wasn’t allowed to help with them.

Scratching under the dock. The soft squelch of sharp and thin on wet and thick. Sure enough, three sets of gold eyes stare back at me from the water.

Lively day for the dead.

The three kids don’t look at peace or murderous. They look like someone slapped them upside the head. They each have a bit of gold in their ears.

“Hello there.” I touch my cap. I don’t know their names, but when they were alive, they swam around the rocks here. They’d be grown up now. “If you kids show me the way to your bones and I’ll bury you nice on your island.”

Quick as fish, they vanish.

Yeah. It’s a rotten day to dive.

But what if them ghosts understood me? What if it does make a difference? Even if it’s just to those three ghosts.

The folk who say the fog is just cold air and warm water say it was hurricane. But the islanders knew hurricanes. They knew to batten up and shelter on the mainland.

And I was there in my perch half-way between the mainland and the island when the sea roared up and ate that island. If I didn’t know before, I know now how the sea hoards its bones and gold. But them islanders got wealthy from salvaging. They dove into the salty maw one too many times to snatch what wasn’t theirs.

Then on this perfectly clear night, with no sign of a storm, just a real low tide—suddenly, this roar of water and miles out. Like… a tower of water rolled in fast. Big enough to slap the cliff and send the lighthouse tumbling—

And the island—

I moved faster then I knew I could and raised the alarm. Rang both the hurricane bell and the ship-wreck bell and hollered uselessly to the empty sky. Soon the whole coast rang.

Still, it wasn’t enough warning.

How could it be? When it was the middle of the night? When God was splashing the ocean like it was bathwater?

Maybe it was unkind to warn them. The ones crushed to death by the water must have been so startled by the darkness and the noise. It sure didn’t help none.

When the wave hit, the lighthouse windows shattered and the spray killed the light. It was the only time in my life that fire went out. I stumbled around in the dark to restart it, cursing my legs, my slowness, my bad luck. They needed the light to find the shore. To know which way to swim. Even with the inland sirens roaring, I heard them in the water. Piercing cries. “Help us! Forgive us! Save us!”

Maybe if I wasn’t so slow…Maybe if I’d protected the flame…maybe it would have made a difference.

I never dive as far as Oli. I know I’ve gone far enough when the island and the lighthouse both blur to a hazy shadow and I can only tell one cliff from the other because of the flare four stories up.

When I swing my legs over into the water, it chills me to the core.

“Just the ghosts.” Not a very reassuring reminder.

 I snap the goggles over my eyes and nose, tie the boat to my waist, and attach the air-hose the mast. It smells like copper and rubber, but I can’t dive like an islander.

In fairness, I don’t need to.

Under the water, it’s clear. A smooth white light washes the sea bed and shows each brown pebble and clam. What I want is gold and bones.

After a time, I see glints in the distance. Jesus! Them three dead kids bobbing along with empty gold eyes and slack jaws. Someone tied them together with a bed-sheet. When they float away, I follow, swimming as fast as I can.

Being the build-builder, Oli had been inland fetching lumber and trading the island’s gold for finer goods when the wave came. A little group of us— I suppose his friends and the people most involved— met him at the mountain pass to give him the news before he could see for himself. Nearly killed me how cheerfully he greeted us. Last time, I ever seen him smile.

They talked in somber tones while I stared into the cart. Bolts of silk next to the raw lumber. Packages tied with brown string next to a bucket of shiny nails. I’d counted twelve bags of sugar when Oli snatched me by the collar and shook me. After I told him what I’d seen, he threw me on my back and called me a jealous, goat-kneed cripple, which isn’t necessarily wrong.

He’d run to the cliff to see. The mainland town was mostly the empty bed and breakfasts and broken fishing hovels with dull cheap cotton on the lines. The island should’ve just beyond, been brightly painted houses and pretty linens drying in the breeze.

Instead, it was empty sand and clumps of sea weed.

He howled for Izzy, wailing like if would bring her bodily back from the surf. I’d see love-sick dolts bellow at the sea before and I feared he’d throw himself off the cliff.

Which, of course, he did.

Lord knows, I couldn’t have done anything except accidentally gone over with him. But the others grabbed his clothes and then his arms and plucked him back from death.

Oli kicked and screamed and sobbed and cursed. “Don’t act like you mainland fucks don’t want every islander dead! Damn this whole town living out here in the sun like you own the sea when you ain’t never paid it nothing.”

That’s when the fog rolled in.

We all watched it rise off the sea, like steam off a bowl of soup. It covered the island first, obscuring the salt-slicked grass glittering in the sun like jewels. 

Oli went limp as a fish and gawked.

The cloud rolled over the beach and climbed the cliff. I panicked when the lighthouse, the center of my world, faded into white nothing. It kept coming over the town, settling thick and silent among the houses. We thought our whole town had been smudged away, but then right on schedule the bright light flared in the distance.

Five years on and the fog ain’t let go yet.

Too late I realize the sun is setting, I’ve gone too far, and the ghost’s slack jaws are open with hunger.

Oli’s told me not to follow the ghosts too far. Oli’s told me not to go deeper than ten or so feet. But those three float so patiently. Their gold eyes plea and promise that if we set enough of these ghosts to rest, the fog will clear and folk like Monte McGuane will come back.

I can’t find the sea floor any more. I’ll do what I should have done before. Drop a buoy with a long rope for Oli to find tomorrow. I start to swim to the surface.

The ghost children float after me. Their fingers reach towards me.

Keep calm. It’s only ghosts.

In this slow race, a goat-knee madman ought to have the advantage over the dead.

I swim like Oli taught me. Long ago when we still had sunlight and smiles. Big long strokes with my arms. Little kicks with my useless feet. 

Something sharp catches at my trousers. I look down. I should not have looked down.

The fog is in the water. Hundreds of faces below me in the depths, gold glaring eyes and open mouths. Floating hair clipped with bits of jewels and sharp clawed fingers ringed in gold. An island of the drowned reaching for me.

The little ghost hooks onto the twisted lump of my ankle and tries to climb out of the water.

I give up on swimming and climb the rope, dragging myself to the surface. But this rocks the boat, makes choppy water, which spits into my air-hose. I swallow the brine until I can get to rubbery air.

The darkness brightens. Not from sunlight. The fog surrounds me. I can’t tell up from down. The goggles fill with the shine of gold. I close my eyes and climb.

Hand-over-hand on the rope. Only the rope can get me out of this.

In the water all around, piercing cries and grasping hands. “Help us. Forgive us. Save us.”

The hand on my ankle grips harder and climbs higher up my leg. A ghost seeking life, a drowned kid looking for breath. So cold. So heavy.

I grasp something soft and slimy and rotten on the rope and flinch away. I clench the rope stronger in my other hand, terrified to lose it, but with my free hand I can’t find the rope above me. Only the corpses. White silk nightgowns, white linen sheets, dead gold eyes. Glints of golden earrings and necklaces and rings and buttons shine in the rot. They pile around me, unmoving and suffocating and glittering.

My mask pops— air-hose plucked out— salt water rushes in my nose and mouth. I hold my breath and swallow at the same time. I have to get to the surface. I don’t want to drown. I only wanted to help. To be a little lucky… to make a little difference.

I hold the rope in my knees and crawl my fingers up the rope, snailing towards Oli’s boat, squeezing through the rotting flesh and glittering treasure while my lungs burn and my muscles freeze. I’m going to drown. One more set of bones for Oli to bury. He’ll notice the shape of the legs and bury me by the lighthouse.

Maybe I can haunt the lighthouse. Keep the fire burning even when it’s wet. So, people in the water can find their way. Even now, the light slashes the darkness. I flutter toward it. The hose, the rope, and my mask fall away as I swim towards the lighthouse.

Something strong grabs the back of my neck and yanks. The distant slash of light comes nearer and I flail my arms to help whatever is dragging me through the water.

I break the surface.

Breathe.

I cough and heave and the scent of rot makes me want to retch. I’m in a cloud of bloated frozen flesh, wrapped together with bedsheets, glittering with gold.

The strong grip on my neck vanishes and I flounder. It’s too dark to see, but I think— yes, my rope is tangled in the bodies. The boat is— far away. But coming nearer. Has oars in the water and— Oh, that’s Oli in a different boat.

He sits still and staring above my head.

Grinning like a love-sick puppy.

Of course, it was his Izzy that saved me.

I don’t try to turn and see her. It’s not my place to interrupt them.

Then the oars splash again. “Damn it, how did you swim out this far? You’re nearly at the island you know!”

“Am I?” 

Oli grabs me and hauls me into the boat. The wet rope hooks in the curve of my legs, dragging the string of drowned with it.

“What’s on your—?” Oli realizes. “Oh, Jesus—”

“A-yuh.” I try not to lose this strange fish.

“Oh Christ!” He tugs on the tangled mass, gingerly bringing it with us as we float toward the shore.

“Yup.” I stay on my back. Breathing and gazing at the warm darkness of the sky. For the first time in five years, I can see the stars.

Tavern of Conquests is LIVE on Indigogo

Today is the day my company, The Bold and The Brazen, launches Tavern of Conquests, a foreplay game for couples.

Click here to read about The Bold and the Brazen: Tavern of Conquests on Indigogo

Role the Dice to find Paradise

This little book mixes table-top role-playing games (TTRPs) and a choose-your-own romance fantasy. The Hero player makes a sexy character striving to finish a quest and save the day, but The Muse player uses Roving Conquests to send all sorts of lusty temptations to seduce and distract The Hero. To stay on track, The Hero can use the “Bribe the Muse” tables and use real-life sexual favors to influence the will of fate. Whether The Hero saves the day and wins The Muses reward, or both players decide to ‘finish’ early, there is no losing in foreplay!

Labor of Love

As an award-winning fantasy romance writer who regularly talks about the transformative power of love and sex, it is not unusual for people to share… personal things with me. Friends I’ve known my whole life, fans I’ve met that day, people on the train who will never meet me again trust me with their dark secrets. Their unfulfilled desires.  Their kinks. I look at this as a perk of the job.

 Anyways, about eight months ago, an old friend reached out to me because she wanted to create something special, sexy, and fun for her boyfriend, who loves TTRPS. But everything sexual on the market fell either into “violent goblin porn” or highly clinical rulebooks. So the two of us brought in a  professional game master (GM) and set out to create the sort of product she was looking for: a beginner’s guide to erotic role-play with a TTRPG flair.

This little booklet will act as a little buffer between people’s real lives and their sex lives. We hope it helps lovers add a little “dragon fire” to the bedroom without cringe of improving dirty talk on the spot. This is a way for me to help my friends and fans bring their inner world of fantasies to light with their partner, who would no doubt enjoy a taste of their imagination.

Please support this game on Indigogo.

The game itself, with all my sexy content, is written and in the editing stages. We’re trying to raise money to pay an artist to bring these scintillating stories to life, to add additional quests, and to print the book. There’s a ton of great supporter perks (including erotic stories written by yours truly), but all levels of support get access to:

Two Quests: The Princess and the Flame, where The Hero strives to save a beautiful princess from an equally beautiful dragon, and Prison of Desire, where The Hero can help the handsome villager Jack keep an Incubus King imprisoned or set the demon free.

30 Roving Conquests: These are the temptations the hero must face along the way and they come in various flavors, Bold (lightly flirty), Bawdy (a little blush-worthy), and Brazen (a lot blush worthy).

To give you a taste of Taverns of Conquest: here’s one of my favorite Roving Conquests where the hero runs into a starving succubus.

Devil’s Advocate

The path is perilously steep. Rocks slide and plummet from the granite cliffside as you force your way further up. Your muscles strain and ache as you find a small shallow cave. Finally, a place to rest!

You’ve only just caught your breath when from inside the cave, comes the delicate echo. “Help!”

A fair maiden in distress! You turn towards the sheltering cave and see… not exactly a maiden. The ruby-skinned woman weakly crawling towards you is built like sin. Lucious hips, juicy lips, perky breasts, and… an inhumanly long tongue licking between them. A tail drags under her ragged skirt, and her pitch-black eyes roll desperately. On her knees, she grasps at your legs. “Please.”

The touch of her hands sends electric currents of pleasure up your calves. “So thirsty. Small drink. I’ll repay you.”

She pulls your hips forward, and her hot breath warms your inner thighs.

What will you do?

Attempt to escape, charm, or deceive Roll Slick.

You may not be the sharpest sword in the armory, but this does not seem safe. “Whoa,” you back away, but her tail wraps around your leg.

You’re on the ground, and she’s straddling you. The heat radiating from her naked body, kisses sear your flesh before her licks soothe the wounds. She moans with complete abandon. You struggle to escape those clutches, but her thighs tighten around your body, and the impact of her skin, the magic… it makes it difficult to think of anything but her perfect body.

Her tongue tastes the inside of your mouth as you breathe more life into her body. The more you wiggle, the more she rubs against your limbs.

“YES!” She finally screams as her wings explode outward. She giggles at you. “Was it good for you, too?”

Fight, endure, or do nothing: Roll Strength.

You raise your weapon, about to strike. But her helplessness and her beauty, however demonic, make you hesitate.

You ought to cast the demon out. Or offer some sort of heroic resistance… but it’s been a long day.

And she already pushed your clothes to the side. Her lips gently kiss that most sensitive skin, then her tongue slithers to caress.

Lust jolts your body, and it is no longer yours to control.

At her command, you push yourself further into her mouth and release an animal grunting.

She drinks voraciously, laughing as she laps, and you pour strength into her broken body.

Finally, she pulls away and smiles at you, mischievous. She wipes the shine off her lips. “Refreshing.”

Use magic, knowledge, or other schemes: Roll Savvy.

Succubi are dangerous. This dying creature is already in your mind nibbling at your thoughts.

“Stay,” you command.

She sits obediently, chin up, waiting.

There’s an old Orcish ritual for certain kinds of soothing. Usually used to aid in sleep and… to trigger orgasms. You mutter the words, and she licks her lips curiously, tasting the magic.

She feeds on your imagination. As you visualize her straddling her lover, her tail curled around their legs, the succubus arches her back and shudders. She spreads her legs, presenting herself like an offering, and you imagine a world where you give in, where you come in this devil’s hands. She squeals and sighs with delight and looks up at you, fed enough to survive. “Mmm- may I have another?”

If you liked what you read here, there’s much more where that came from. Find out more and support us at Indigogo:Tavern of Conquest.

The Stranded Sky Castle

Paranormal romance lovers will devour these seven novellas featuring alpha male shifters and the men they’re determined to claim. Our handpicked stories are full of heat, passion, and romances to remember. Seven authors, including some of your favorite Evernight bestsellers, are proud to present Alpha Male: Manlove Edition.

Releases Nov. 8th.

Get it here from Evernight, Amazon, Apple, kobo, Barnes and Noble, Scribd

My story in Alpha Male is “The Stranded Sky Castle”

The Stranded Sky Castle is a Romeo and Juliet story, if Romeo was a magic-wielding wolf and Juliet was a very militant eagle. Rokor, an eagle-shifter and child-soldier, grew up in a war with witches that ended when his father died to defeat the coven. He takes his role as a leader very seriously and is skeptical, flattered, and somewhat annoyed when he finds himself relentlessly pursued by the cheerful and cunning alpha wolf of the valley, Tchen the Trickster. The wolf lives up to his name laying traps to get closer and closer to his lover, until he finally manages to take the young eagle hostage. It’s only then that Rokor realizes how much the witches’ stole from the wolves and how very alive the witch threat still is.

Selection from “The Stranded Sky Castle”

He stood there by the window, howling at the moon in his human form, ignoring me and my entourage. Today, he was wearing soft fabric trousers and a thick hemp belt. Otherwise, he was only covered with one of our cheap feather blankets. The sight of his broad shoulders, his long unkempt hair, the angles of his jaw, and the shape of his mouth made me weak. I’d made love to that man. I’d kissed that skin, had those lips around my cock, felt the body move over and inside of me.

I had to stay cold. “All right, you hell-raiser, what are you doing in my prison?”

The howling silenced at once, and he beamed at me like a child. “Well, you look very nice out of your armor, your majesty. Like a red peacock. Very soft, very elegant.”

I turned to the other second and both of our entourages. “Would it be possible for me to speak to this person alone? I commend you all on your service in capturing and subduing this man, but it takes a while before he says anything other than lewd jokes and meaningless drivel when he’s alone with me. I can only imagine how much worse he will be with an audience.”

“You know this man, sir?” The other second was curious.

“From patrols. He frequently comes too near the border.”

She was not at all sorry to miss the show. “I wouldn’t leave him to anyone but you, sir. Call if you need help. Flock dismissed!”

Tchen leaned on the bars, devilishly handsome and innocently pathetic. Still, he at least had the sense to wait until the rustle of their feathers retreated. “I had to see you again.”

“You’re insane.”

“Am I?”

“You must be. To abandon your people and give up your freedom just to see—”

“I hope to more than see—”

“That’s not likely—”

“I hope to touch, kiss—”

“God’s balls, wolf. You are a prisoner of war!”

Tchen stepped back as if he’d been punched. Shocked deeply by my shout. I hoped I’d made progress, just the slightest dent in his madness.

“Tchen, you have to give this up. There’s no world where you and I—”

I saw his trick too late. The man didn’t have a shred of contrition, and by the time he’d grabbed my wrists, I wasn’t strong enough to hold my ground. He yanked me against the cold metal and kissed me.

My cock leaped at even this slightest contact, and I knew I’d been anticipating this. As much as I promised myself I would remain in control, Tchen’s hands groped at my ass. I should never have left the library. Never have sent my entourage away. Never put myself near this beast.

“Rokor.” My name in his mouth cracked my control, and the rest of his growl melted me to the core. “I want you so much. Please.”

Sent out first Queary Letters for a new novel: Route 413

Recently, I attended the 2022 Writer’s Digest Conference, where I was able to pitch my latest rom/com horror novel, Route 413. This is a story about a mail carrer whose route takes him through hell, fairyland, and a retiremnent community for dead and dying gods.

I pitched to three agents with this project and got requests to send materials to each of them…

which I did today!

[cue exhausting variety of celebration videos, memes, parades, etc]

Anyways, now I will forget I ever sent these in order to not get my hopes up.

Route 413

Bridger Hahn is a solitary mail carrier, whose route takes him through hell, fairyland, and into a retirement community for dead and dying gods. If he can survive his route, his mother, and the constact attacks of an unfeeling universe, he might true love and becomes the next Santa Claus.

A rom/com for fans of literary horror, ala Welcome to Nightvale, John Dies at the End, and Everything, Everywhere, All at Once. Between 70 and 90 k, this book uses mythology from all over a world but especially folktales from Southeast Asia (Bridger is Vietnamese-American) and the indigenous people of the New York area (another character is the Hudson River who has not forgotten he was once worshipped as a god).

CLICK FOR FIRST CHAPTERS

To Harvest Lavender

Very honored and excited to announce that my short story “To Harvest Lavender” won 3rd place in Writer’s Digest Short Story Contest 2022. This story is very much a product of quarantine and my real-life experience with the passing of a loved one. I hope you enjoy this excerpt from …

To Harvest Lavender

I saved her from the oven all those years ago, only because her death by fire would have been a calamity for the rest of us. Of course, she couldn’t tolerate me in the house, so I slept in her wilderness. For years. To protect her.

No, to watch her die.

Well, that job is done. All that’s left is to clean.

I steal in her doorway, like she will come with thunder in her fingertips. Like she will scream at me for dawdling.

She never once welcomed me. Even when I came to the door, a child in a red bramble-torn cloak, pursued by a savage furred terror, she’d sneered. “You should’ve sent the wolf to eat me. It would have been kinder.”

I light the sage to consume the magic she left behind.

One must be of strong will to command magic. It’s difficult for two strong wills to coexist, harder when one is learning the art. She hated teaching. She bragged of the worlds she’d slain, the princes she’d conquered, the dragons she’d seduced before I made her an unwilling mother.

The dust caking her books, the shelf of rotting potions, the filthy cauldron remind me of her broom striking my back, of the foul taste of her ladle in my mouth, of the dark places she’d abandoned me. The pain sits like a rock in my belly. Unforgiven. Made small by newer memories.

In the end, she was fragile as spun-sugar, weak as broken teeth, and soft as wet dough. I never beat her or tested potions on her, and the only dark place she wandered was her own mind.

It’s hard to hate a woman who can’t chew her own gingerbread.

But I’ll try anyway…

Nominated for Evernight’s Best Paranomal Romance 2019

Freeing the Witch is nominated for an award (it was already an Editor’ Pick!)!

I’m so ridiculously thrilled about this. If you liked the book, please vote for it here:

Evernight’s Best Paranormal Romance 2019

Freeing the Witch is the hardest romance novel I’ve ever written since it’s about two people who are very different than me. They are shy and self-effacing and the kind of folks you want to get a happily-ever-after. Even though one a wolf and the other is a witch. So really its an Enemies to Lovers story, but with genuinely sweet people.

 

Emaula Whispel thought she’d be happy if she could live outside her mother’s magical stone tower, but when Emaula starts working as a chef at her friend’s trading post, she becomes smitten with Porter, her co-cook. Now Emuala’s magic is obsessed with possessing this quiet, charming wolf, and the budding witch has to fight to control her powers and her lust, to prevent her new friend from becoming her accidental victim.

If you’ve not read the book, click here to get it from Evernight or contact me. I still have a few author copies to give away!

 

Steampunk according to Shelley Adina

I had the great pleasure of attending some of Shelley Adina’s lectures on creative writing. In addition to being a phenomenal teacher, Shelley is an extraordinarily kind woman who will let weirdos with websites interview her. I didn’t even have to take any chickens hostage (though apparently, “The Silkie Mafia” comes armed with lightning pistols, so…)


Steampunk_cropped

Shelley Adina is the author of 24 novels published by Harlequin, Warner, and Hachette, and a dozen more published by Moonshell Books, Inc., her own independent press. She writes steampunk, contemporary romance, and young adult fiction, and as Adina Senft, writes women’s fiction set among the Amish and other plain communities.  She won the Romance Writers of America RITA Award® for Best Inspirational Novel in 2005, was a finalist in 2006, and in 2009 was a Christy Award finalist.

When she’s not writing, Shelley is usually quilting, sewing historical costumes, or enjoying the garden with her flock of rescued chickens.

Her latest Magnificent Devices story comes out on the 19th and it looks like this:

 

MD_SelwynPlace_FC_800

Here’s my full interview with Ms. Shelley Adina:

L.J.: What brought you to Steampunk?

S.A.: Would you believe the Wild Wild West TV show back in the 1960s?

L.J.: YouTube says it’s like James Bond on horseback. I can believe it.

S.A.: I loved the adventure in the Wild West, the trick gadgets, the derring-do of it all. Because I was the oldest, when we recreated the episodes after school, I always had to be James West. But I wanted to be Artemus Gordon because he got to invent the cool stuff. Carry that forward several decades, and I’m inventing cool stuff in my imagination now.

L.J.: I’ve been making people define Steampunk all month, but you’ve actually defined it in the past really succinctly as “high technology in the Victorian age,” but you write in the Regency as well. Does the era matter?

S.A.: Since the steam engine was invented by Richard Trevithick in 1807 or thereabouts, the age of steam falls both in the Regency and in the Victorian age. For writers focusing on both eras, steam matters. But what also matters is the punk element—the element of subversion of authority and fighting for independence, especially among women. While it may be easy to imagine Victorian ladies getting up to subversive activities in a time that saw the likes of Elizabeth Garrett Anderson and Viscountess Amberley, the Regency had its share, too, like Ada Lovelace (born 1815), the first computer programmer. Steampunks know this, and celebrate it in the characters and art we create for ourselves.

L.J.: What do you think caused the Steampunk movement?

S.A.: In a world that’s so high-tech, where you can have relationships with people you never meet in person, the hands-on, “I made this” aspect of steampunk is very appealing. The maker communities are large and active, sharing a community build of a steam-powered motorcycle or a particularly attractive bustle design for a dress. The art of it brings like-minded people together, and there’s a real appeal in sharing a common weirdness 🙂 That speaks to me as a writer, too, because I’m building a community around characters who embody that brave, punk aspect of the movement.

L.J.:  As a reader, do you think Steampunk leans more dystopian or utopian? As a writer which way do your books tend to swing and why?

S.A.: I’ve read steampunk in both flavors. Being an optimist at heart, I prefer the utopian. My heroines get what they want because they’re clever, brave, and compassionate. My worlds, while they might be broken in some ways, still have room for happiness if one is brave enough to create it. Maybe that’s a bit of my life philosophy, too.

L.J.: I really like that as a life philosophy. Can you tell us more about your books?

S.A.: The Magnificent Devices series numbers 12 books, followed by four “manor house” novellas that continue the adventures in a much smaller, more domestic way. Because, you know, the adventures don’t stop after the wedding 🙂

Then there is my spinoff steampunk mystery series, Mysterious Devices, which follows the adventures of Daisy and Freddie Linden, two young ladies from Bath who are searching for their father. He went missing in Book 11 of the larger series. Along the way they solve murders, missing persons cases, and espionage cases. As one does, in steampunk.

L.J.: Last thing, because I don’t want your chickens to get out and start robbing banks without their mom keeping an eye on them, what are your top five Steampunk favs?

S.A.:

  1. The Leviathan series by Scott Westerfeld
  2. The Clockwork Century series by Cherie Priest
  3. The Parasol Protectorate series by Gail Carriger
  4. The Baskerville Affair series by Emma Jane Holloway
  5. And a delightful French movie called Les Aventures Extraordinaires d’Adèle Blanc-Sec that is based on a comic book series

You can find Shelley’s work here.

 


The Fantasist is a quarterly online magazine that publishes three original Fantasy novellas on the third Thursday of every third month.

And this month, while they celebrate Steampunk, one of them is mine!

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Support these guys. They have good stories for free.

Steampunk: How to Feed People Underground?

So this is less to do with Steampunk in general and more to do with my story in specific. One of the primary images I was working with was a huge number of people trapped underneath another city. And one of the main problems was figuring out how they were still around after being effectively buried alive.

I turned to science for my fiction and let me tell you, the future is coming fast and it’s actually rather encouraging for those of us afraid of climate change.

Aerofarms is a real company in New Jersey; they grow salad in a warehouse.

aerofarms
Aerofarms

Obviously, this is hugely important stuff. The technology they use allows them to produce huge amounts of crops without soil or sunlight (aka land in New York); their website can tell you better than I could about the technology they use and how it gives reliable crops with better growing seasons using less water, and all that other really cool, hippy crap.

I’ve eaten the salad and it’s as good as salad is ever going to be for me (I’m a pizza and burger person). I think this is an awesome company and it needs all kinds of support.

However.

I grew up in farm country and I’ve worked in warehouses. So that image above is hugely jarring to me. There’s something so out-of-place about plants growing indoors that I immediately started thinking about science-fiction Dystopias. Of course, this is closer to a Utopia because more food, produced with less waste and cheaper, is the stuff of a good society.  It feels strange to us now, but this is the way we will be fed in the future, at least those of us who eat salads.

Personally, I will be eating this:

 

Clean meat, grown in a lab, with no harm to animals.

Honestly, I’d totally eat that. It looks like raw hamburger meat and I bet it tastes the same. Once they make it cheap and shape it like nuggets, I’ll never kill an animal again.


The Fantasist is a quarterly online magazine that publishes three original Fantasy novellas on the third Thursday of every third month.

And this month, while they celebrate Steampunk, one of them is mine!

cropped-The-Fantasist-Logo-192x192
Support these guys. They have good stories for free.

Steampunk: How does Clockwork…Work?

While I was writing The Scribbling Windhund, I made the inventor/terrorist very aware and a little embarrassed when he started going into technical details, so he’d cut himself short and not over explain science that I couldn’t explain. However, I do know a thing or two about clockwork mechanisms and if you’re interested, I’m going to indulge.

One of my favorite things to do when I was a kid was take apart my older sister’s wind-up music box collection and clean the insides. Partly it was fun because she couldn’t put them back together and it terrified her to see her beloved music boxes in pieces, but mostly I enjoyed it because it let me pretend to be an inventor.

I’d have my tweezers, a little copper bowl of Brasso, some q-tips, rubbing alcohol (which was absolutely not necessary and probably shouldn’t have been mixed with other chemicals), and a tiny screwdriver. Then I’d set to work dismantling the movement.

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This is a “movement.” Clockwork speech for the shit inside.

The way these music boxes work is really painfully simple and extraordinarily beautiful. The round part in the upper left of the image is either called the main spring or the spiral spring. If you take it out of the case (and be very careful you don’t hurt yourself when you do), you’ll be holding a flat band of metal wound very tightly. That’s were the energy of winding the music box comes from and the longer and thinner the wire was the longer the box would play (the shorter and thicker the faster it would play). This is basically the battery of the mechanism. After you put in the energy turning the key to the music box, it tightens the spring. This is slowly unleashed and turn the wheels, gears, and eventually causes the revolving cylinder to turn. The raised bumps hit the tuned teeth of a steel comb (or lamellae) and “Music of the Night” or “Romeo and Juliet” begins to play.

I’d take great delight in carefully unscrewing the comb, and dismantling the gears, cleaning them of the little bits of dust and hair that somehow got into the device. I’d talk to myself pretending to either be inventing the thing for the first time, or defusing a bomb, or discovering a piece of old technology lost to the ages.

And of course, I’d reassemble it by the time my parents came to yell at me for messing with my sister’s toys.  They’d find nothing except a perfectly functional music box and the strong scent of rubbing alcohol and Brasso in her bedroom.

The only time I ever really got in trouble was when I took to un-making my Great Uncle Wes’ pendulum clock. The piece was much more complicated, with a lot more small moving parts (pinions, the escapement, the damned pendulum, a chiming train, and a movement train) and after I’d taken it apart I was terrified I wouldn’t be able to put it back together before someone caught me.

In the end, I stole the clock and all it’s parts and hid in the clean field (which was actually a very dirty hill) next to my Aunt and Uncle’s house. I can vividly remember skidding down the rocks and past the snake burrows to hide among the staghorn sumac. I spent the rest of the day figuring out those gears and wheels and pinions, watching the sunlight cutting through the leaves and the bars growing longer and longer as I ran out of time.

I was particularly frustrated when I realized I had put the hour hand where the minute hand needed to be and I had to take it all apart and reassemble it again.

I was there for about four hours, lying among the rocks and the grass on my belly trying to piece the thing back together. In the end, I couldn’t figure out the chiming mechanism (I suspect I lost some pieces on my flight to the field).

I don’t know if my Uncle Wes ever figured out exactly why the clock stopped chiming, but I know whenever my Aunt Annie would remark on how he ought to go and get it fixed he would just shrug and cast me a wry little smile.

It was like this clock, but not as ornate:


The Fantasist is a quarterly online magazine that publishes three original Fantasy novellas on the third Thursday of every third month.

And this month, while they celebrate Steampunk, one of them is mine!

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Support these guys. They have good stories for free.

Steampunk Music: Dresden Dolls

Another one of my favorite bands is The Dresden Dolls. I find it incredible the variety of sounds these two people are able to make. According to Wikipedia, the style of music is actually Brechtian punk cabaret, but given their encouragement for all kinds of artistic expression (there are living statues, fire jugglers, and all kind of busking at their live shows) I don’t think they’d mind being showcased with some steamy punks.

 


The Fantasist is a quarterly online magazine that publishes three original Fantasy novellas on the third Thursday of every third month.

And this month, while they celebrate Steampunk, one of them is mine!

cropped-The-Fantasist-Logo-192x192
Support these guys. They have good stories for free.